Pliplat moves the silk-touch texture with large folds and oversized ginkgo biloba leaves, while Shang features an oriental-inspired design that, in the minutia of the details and in the monochromatic chiaroscuro effect, recalls the decorations of Chinese porcelain. Origami reconnects to the Japanese tradition of paper folding, featuring the large and dynamic graphics which are so dear to Issey Miyake, and Universo evokes the vertical folds of Greek tunics, which in turn recalled the grooves of classical columns. In a continuous exchange of references between past and present.